sellyoursoulrecords

Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through it's Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better.What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on.On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture.Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

Charley Crockett - Lonesome Drifter - Vinyl

Lonesome Drifter is the new album from GRAMMY Award-nominated artist Charley Crockett. Crockett co-produced the album alongside multi-GRAMMY Award-winning musician and producer Shooter Jennings. Over the course of just 10 days, they cut 12 tracks live at the legendary Sunset Sound in Los Angeles. Crockett's Island Records debut is a culmination of all that has come before, with the same unapologetic spirit, die-hard work ethic, and no nonsense honesty that has driven his artistry across his 14 previous studio albums. In the end, Lonesome Drifter takes stock of Charley's road in the rearview as it paves a path into the future. Available on 180g black vinyl housed in a printed inner sleeve.

A Boy Named Goo is the Goo Goo Dolls fifth studio album, originally released on March 14, 1995. Driven by the smash hit “Name”, the album catapulted the band to mainstream success, and it was certified double platinum within a year of the release. The album also included the singles “Flat Top”, “Naked”,“Only One”, and “Long Way Down”.

Coheed and Cambria presents their forthcoming album, The Father of Make Believe, out via Virgin Music Group. The new full-length marks the 10th studio album from the New York band and continues the narrative of The Amory Wars / Vaxis universe, following their 2022 album, Vaxis Act II: A Window of the Waking Mind.

The complete vinyl works of Ozzy Osbourne's original solo material in a limited edition, numbered black vinyl box set. There will be 2,000 copies made, and it will feature a total of 18 albums including the rarities compilation album, Flippin' The B-Side, as well as his most recent releases Ordinary Man and Patient Number 9. This super deluxe box also includes 10 brand-new full-size posters of vintage photos, a gold bat vinyl slipmat, and an individually numbered vellum certificate of authenticity personally signed by Ozzy Osbourne.

Liverpool-based four-piece Courting's new album Lust for Life, Or: 'How To Thread The Needle And Come Out The Other Side To Tell The Story,' is centered around duality. The intention is to bring together everything Courting have created thus far into a succinct, direct, record. Each song on the album is 'twinned', with another, existing within the same type of world. Take for example the opening and closing bookends of the record, both featuring the same string melody but with the first serving as an orchestral introduction, and the second as a speeding dance punk track. The aim is clear as Courting balance the indie and pop songwriting of their previous records with their most experimental moments, each detail more refined than the last time.